I walk into the office of the new therapist, feeling distinctly out of place in my yarmulke, white shirt, and tzitzis, and I inform the receptionist that I have a 2:30 appointment with Dr. Anderssen. “Have a seat,” she chirps. “Scott will be with you shortly.”
I sit down in the waiting room, my stomach feeling vaguely unsettled, and after a few minutes a door opens and a really tall, long-haired guy wearing shorts and flip-flops emerges. I figure this surfer guy must be Dr. Anderssen’s client. But then this guy walks over to me, holds out his hand, and says, “Hi, I’m Scott. Are you Mordecai?”
I nod mutely. This can’t be Dr. Anderssen, the famous trauma therapist that my parents somehow dug up for me.
“Nice to meet you,” he says. “Come with me.”
I can’t believe this, I think to myself as I follow him to his office. This is the last time I’m coming here.
When I walk into his office, I get another shock. The room is painted like a tropical rainforest, with fake palm trees lining one wall. There’s a stream of water flowing through the room, with fountains and waterfalls. The sound of water, the warm lighting, and the fresh, forest-y smell make me relax involuntarily, even though all I want to do is bolt out of the office and get back to civilization.
Scott motions to me to sit down on a leather couch, and again I start to feel acutely self-conscious. What does this guy think of me? I wonder. He probably never saw a yeshiva kid before.
Scott starts talking to me, I don’t even remember about what, and before I know it the conversation is flowing. I tell Scott about my daily schedule, explain to him what it’s like to be a yeshiva bochur, and tell him some basic details about my family. When my watch says 3:30, I stand up to leave.
“Wait,” says Scott. “I want to hear more. It sounds like you had a really interesting life. I like to give lots of time for a first meeting with a client, so I don’t have anyone scheduled for a while. I won’t charge you any extra, don’t worry.”
I’m shocked. I’ve been to quite a few therapists in my life – there’s a reason I got sent to this hippie guy; my parents were desperate – and never was I asked to stay longer than the scheduled time.
Flustered by the feeling that Surfer Scott is actually interested in me, I blurt out, “You barely know me, but from the little I told you about myself, what do you think I have the potential to become?”
Scott eyes me steadily. “I think that once you figure yourself out and work out your issues you will become a real rabbi. An amazing rabbi,” he emphasizes.
I stumble out of his office in a daze. Me, a rabbi? I’m the guy who’s terrified of being called up for an aliyah. I’m the guy who won’t ask a question in shiur. I’m the guy who texts on Shabbos because it’s easier than talking to people.
When I went to other therapists, I was deeply embarrassed, and I couldn’t get past my own shame and open up to them. I couldn’t explain to them that my chillul Shabbos had less to do with religion and more to do with social anxiety. My parents and rebbeim saw me as a kid at risk, when really I was just paralyzed by my own shyness. I knew that, but I couldn’t tell it to anyone.
Now this surfer-hippie-therapist tells me I’m going to be a rabbi. Well, what does he know about being a rabbi? He doesn’t know that you have to keep Shabbos to be a rabbi. But I’m going to see him again, even if it’s a colossal waste of money. I want to hear why he thinks I’m rabbi material.
I schedule another appointment. This time, we start to talk about my childhood, but we keep going in circles. He asks me questions, and I give short, vague answers, until I start to feel like a broken record – the way I often do when I’m with other people. I feel stuck.
“Let’s try to continue a different day,” Scott advises. We schedule another appointment.
The next time, the same thing happens. I’m numb, I can’t talk. Scott comes at me from all different angles, trying various techniques that I recognize from my previous therapy experiences, but we get nowhere. By the end of the session, I’m very frustrated.
“What can I do to get unstuck?”
“Maybe we should do a really long session,” he suggests. “Then maybe we’ll get to the bottom of what’s blocking you.”
When I show up at his office the next time, the first question he asks me is, “What’s your favorite song?”
“My favorite what?” I ask blankly.
“Your favorite song,” he repeats.
There’s only one song that I really like, I think to myself, but I’m not telling this guy about it.
“It’s a Jewish song,” I say evasively.
“Okay,” he says. “What’s it called?”
“Um, Kah Echsof.”
Next thing I know, he hands me a microphone. “Stand up and sing,” he instructs.
I remain frozen in place. I wouldn’t sing a solo in front of anyone – the only time I sing alone is when the door to my room is locked and no one else is in the house. In front of a goy I’m certainly not singing.
“Come on,” he says. “I really want to hear you sing it.”
“I- I can’t.”
“Why not?”
“Trust me,” I say. “This song wouldn’t interest you.”
He turns to his laptop, goes to YouTube, and before I know it, the soulful strains of Kah Echsof fill the therapy room. This is batty, I think.
Scott listens intently. “Wow,” he says when the song finishes. “That’s a really powerful song. It’s full of feeling. I can see why you connect to it. Now I want to hear you sing it.”
I sit there like a stone.
“What’s stopping you from singing it?” he asks.
I shift uncomfortably. “It’s a song that some Jewish people sing on Friday night,” I explain. “Mostly hassidic people. It’s not the kind of song I’d sing in front of… ”
“In front of me?” he asks.
I feel my face flush. I nod.
“So when do you sing it?”
“I sing it when I’m a guest at someone’s house Friday night and other people are singing it.”
“If you’d be with hassidic people and they’d ask you to sing it yourself, would you?” he probes.
I shake my head no.
“Why?”
I shrug. “I don’t know, I just can’t.”
“I see,” he says. “So you’re locked in this area. If you’re locked in this area, you’re probably locked in other emotional areas, too. Maybe if we get you to sing the song, we’ll manage to unlock you.”
For the next two hours I stand there trying to sing the song. Just sing, I urge myself. Then this torture will be over. But I can’t.
In between attempts to get me to sing, we talk about lots of things that happened in my life. Why I start to freeze when I’m in public. What was the first time I remember feeling that way. How old was I. Where was I at that time. Who else was with me. What day of the week was it.
That last question touches a raw nerve. “It’s Friday!” I yell.
I don’t know what’s happening to me, but I run to the corner and duck down on the floor with my hands over me head, and I start shrieking, “STOP SCREAMING AT HER! STOP! STOP SCREAMING!”
***
It’s late Friday afternoon in my house. My mother is washing the floor, and my father walks in, making brown tracks all through the hall.
“Yael!” he shouts. “Why is the floor wet?”
My mother rushes over with a mop. “Oh, oh,” she stammers. “Here, I’ll dry the floor. Come sit down, I’ll give you something to eat.”
“Why do you always have to wash the floor just when I come home?” he fumes.
My mother’s face reddens. “I- I’m sorry, Ephraim,” she says. “I didn’t think you were coming home yet. I’ll try to wash it earlier next week.”
I’m standing right there, and all I want to do is speak up and say, “But you did wash it earlier! Last week Abba came home an hour later!”
But I’m mute, dumb. I can’t get a word out of my mouth.
“You just don’t think!” he screams. “All you do is make me trouble.”
“It’s not true!” I want to cry out. “Ima works so hard! Don’t scream at her! STOP SCREAMING!” But my throat is tight, my mouth is parched, and I can’t utter a word.
***
“STOP SCREAMING AT HER!” I holler the words until my throat goes hoarse and my body goes limp. Then I start writhing on the floor, my body engulfed in pain. I feel like I’m eight years old again, utterly helpless and vulnerable.
I must have lost it and gone crazy, I think.
Scott doesn’t say, “I understand,” or “I know what you’re feeling,” the way some of my other therapists used to. He just squats down to the floor beside me and says, “Wow, that must be really painful.”
I sit up and stare at Scott, not quite believing what I’m hearing. You mean – my pain is real? You mean someone actually recognizes that I’m suffering?
For the first time in my life, I feel that it’s okay for me to be in pain. Any other time in my life that I started to feel pain, I told myself that I’m a baby, that I’m ungrateful, that I’m overreacting.
“So you trained myself not to feel pain,” Scott observes, after I compose myself somewhat and sit back down on his couch. “Instead of feeling the pain, you deadened yourself against it.”
He runs his fingers through the waterfall. “What happens when you become dead to pain,” he explains, “is that you become dead to positive emotions, too. You just don’t feel anything. And then all sorts of wellsprings within you run dry, too. Your creative expression is squelched, to the extent that you can’t even sing a song.”
Or get an aliyah, I think. Or speak up in shiur. Or even – talk to a friend on Shabbos instead of text.
“I don’t know what caused this emotional blockage,” Scott continues. “But I’m guessing that your parents’ relationship might have something to do with it.”
We talk. And talk. I explain to Scott what Shabbos is, and what Shabbos – and Erev Shabbos – looked like in my house. I tell him how I always dreaded Shabbos, because Abba was home all day instead of being out at work. I tell him how my mother was always docile and submissive, falling over herself to please my father.
“She’s almost… servile,” I reflect. “She worships the ground my father walks on, and she lets him walk all over her.
“It sounds like your mother has no self,” Scott remarks. “And you suffered for her all the years.”
“Exactly,” I say. “I always wanted to protect her, to stand up for her – but I couldn’t, because I was just a kid, and it was none of my business. And I felt somehow responsible, even when it had nothing to do with me.”
Scott nods, and doesn’t say anything. We sit there for a few minutes, quietly, and then he hands me the mike again. “Sing,” he urges. He turns his back slightly, so I’m not facing him directly.
I pick up the mike. There’s a big lump at the back of my throat, and I have to clear my throat several times before I can even get out a syllable.
“Kah echsof,” I begin, my voice all crackly and off-key. I stop.
“Kah echsof noam Shabbos…” This time my voice is clear, the tune true. Hashem, I long for the sweetness of Shabbos. I see Scott, but he’s not really there.
“Meshoch noam yirasecha le’am mevakshei retzonecha…” My voice gains strength as I sing. There’s no one else in the room, it’s just me and Hashem.
I sing from the depths of my heart, a place I didn’t know existed until now. Before, when I sang Kah Echsof at people’s houses, I just felt stirrings of something, but nothing compared to the powerful yearning I feel now.
“Shabbos Kodesh, nafshos Yisrael betzel kenafecha yechsayun…” I let my voice trail off as the song ends. Let my soul, too, find refuge in the shadow of Your wings.
The session is over. Scott doesn’t say a word, he just escorts me down the corridor to the main door of the office.
I sit down in the bus stop in front of Scott’s office, wondering whether my father would ever understand what his yelling at my mother on Friday afternoon has to do with my chillul Shabbos. It doesn’t really matter, because now I want to keep Shabbos.
Scott thinks I’m going to be a rabbi, I remind myself.
I don’t know if I’m going to be a rabbi. I do know one thing, though: One day I’m going to have a real Shabbos table, a place where everyone will feel safe, and respected, and loved. And I will sing Kah Echsof every single week.